What would you do if your partner got killed
right in front of you? A guy who had been next to you in the squad car for 15
years? A guy who was only two days away from retirement? If you were a humor
essayist like me, bent on vengeance, you would dedicate your life to tracking
down the scumbag who did it and bring him or her to justice. I say him or her
because, although it happened right in front of me, I can’t be positively
certain as to the gender of the scumbag. If it was a woman, then I must say
that she wasn’t completely unattractive. If it was a man, then not only do I
have a vicious criminal to apprehend, I also have some issues of my own to deal
with. As they say in buddy cop clichés, I'm getting too old for this shit.
I’m on my own now, a lone wolf out for justice.
It is just me and the creep who killed my literary partner by hitting the
delete key on my laptop while I was in the bathroom. I came out and he was
gone. I miss him now. I miss every cop movie cliché that made up his character.
I miss him practically spitting on the U.S. Constitution with every arrest that
he made. I miss how he would piston-whip a suspect to within an inch of his
life before realizing that he had the wrong guy. I know you didn’t approve of
his methods but he kept the streets safe for people like you.
If you want nonviolence, if you want peace and
love, then try calling a hippie the next time you get mugged. On the other hand—with
all sarcasm aside—if you need dope, then I suggest you call a hippie, because
the weed those dudes have these days will blow your freaking mind. So in
review: Call a sadistic, sociopathic cop for muggings and call a hippie for any
reefer needs.
So I’m in my office the other day and I’m
thinking, “I’m a lone wolf, what the hell am I even doing with an office? I
should be out on the street tracking down leads.” Then I remember that I got a
really cool espresso machine for Christmas last year that is in my office, so
that is why I’m in my office. Sure, I’m a hard-nosed cop who doesn’t play by
the rules but I enjoy a good cup of coffee as much as the next guy. I’m as
tough as nails but I hate it when I order a latte with skim milk and then they
use the same steamer that they just used to make a whole milk latte.
The captain walks in and tells me that I have a
new partner. He’s a green rookie, still new behind the ears, or wet, or
something like that. All I know is that he has something behind his ears, but I
can’t quite tell what color it is without my glasses. Great, now I’m babysitting
a kid with some kind of ear infection.
“Go get me a coffee, rookie. Cream and sugar,” I
tell him.
“You’re already drinking a double espresso.”
“Shut up, rookie. Make it a decaf.”
We leave the office. I drive. This rookie
wouldn’t know a backspace key from a spell check. He looks ahead nervously as I
floor it. He points out that I just missed a stop and then braces himself
against the dash and yells that I am running at full speed into a run-on
sentence and perhaps I should throw in a period or at least a coma and this is
getting pretty dangerous I slam on the brakes.
“Listen, rookie. I’m going to get this guy, or
girl, or possibly a female impersonator. We can’t rule out the possibility of a
female impersonator. Some of them are quite convincing these days. And don’t
forget about transsexuals. Oh boy, that’s a whole other can of worms. Anyway,
I’m going to get this person and I don’t care how I do it. So you can take your
Strunk and White Elements of Style and stick it where the sun don’t
shine. Got it, Mister big shot English major?”
I know my way around these streets. As a cop you
get to know every two-bit hustler, every drug dealer, and every hooker in the
city. Granted, I knew most of them before I was a cop but that really isn’t any
of your business, is it? Maybe in your world of cook-outs and little league
games things are black and white, but in the world of a humor essayist it gets
a little more complicated. Technically speaking the screen is black and white,
but I’m talking about the investigating I do. If I’m going to do an essay
making fun of funny foreign accents, I need to interview some hookers. Like I
said, it’s complicated. I wouldn’t expect a civilian like you to understand.
Buckle your seat belts; it’s time for that
standard of buddy cop adventures: The Chase Scene. If you think chase scenes
are boring and cliché in movies wait until you read one in print. Watch out for
that vegetable cart! No, that’s a one way street! Lots and lots of tires
screeching. The bridge is going up; do you think we’ll make it? Do you? Of
course we will because consider the story options if we don’t make it. I use
the word ‘story’ very loosely here because up until now this isn’t much of a
story. If you don’t mind I’m just going to put on the cruise control and take a
nap in the back seat.
And now for the cliché finale: They were a group
of rank amateurs, just kids, really, but they had a dream—except the one kid who was really sick. He died of
cancer, which only made the others play harder. The Americans went on to beat
the heavily-favored Al Qaeda hockey team to bring home the Olympic Gold Medal.
Wait a second. That’s the feel-good movie cliché ending. This one ends in a
bloodbath and then I get some sort of girl or female impersonator or medal for
a job well done.
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