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Monday, July 27, 2026

Twenty-Seven Call by John Scheck

 Twenty-Seven  Calls

by John Scheck 

   Escaping one of Philadelphia’s most blighted neighborhoods through U.S. Army military police training, Elizabeth Owens rises to become a detective in her hometown’s police department. But her career is quietly sabotaged by James McMillan, a wealthy real estate mogul she once arrested for assault. Now stuck in the Domestic Violence Unit—one of the department’s least desirable assignments—Owens fights to protect victims in a system that often fails them.

   After a haunting triple murder, Owens and her partner vow to step in when victims make twenty-seven unanswered calls for help, starting with a serial abuser linked to a missing woman. As Owens digs deeper, she uncovers McMillan’s ongoing sabotage and evidence tying him to the disappearances of multiple women. With the help of her partner, a crusading lawyer, and McMillan’s abused mistress seeking revenge, Owens devises a bold plan to take down the untouchable billionaire once and for all.

Monday, July 13, 2026

Village Life


 Burjassot is not a particularly ambitious bike ride, but in our defense, it was really hot. The village bumps right up against Valencia to the west and is full of charm. I could live there with no complaint.

Sunday, July 12, 2026

Lives of Crimes - Short Story Collection by John Scheck

     John Scheck’s Lives of Crimes is a darkly compelling collection that examines how crime and punishment ripple through families and friendships. Moving from the bleak shadows of noir to the unlikely humor found in breaking the law, these stories peel back the layers of ordinary people caught in extraordinary situations, some of their own making, others born of proximity and bad luck.
 
     From a young man who uproots his life to visit his brother in a federal prison, to a gambler betting everything on impossible odds, to a weary guard discovering he’s no freer than the men he oversees, Scheck reveals the human pulse beneath violence and retribution, the loyalty, fear, and fragile hope that survive in even the most hostile surroundings.
 

 

Saturday, June 27, 2026

When the Heat Dies Down - Flash Fiction by John Scheck

 Me and Jim fixed one of the ladies’ toilets at some art museum, and the bastards had our van towed while we was working. They denied it, but who else woulda? They shoulda apologized for the mistake. Cost more than they paid us to get our vehicle out of the yard, so we worked for free. Wanted revenge on them hoity snoots and got it. Maybe we went a little overboard, but that’s water under the bridge.

Couple weeks later, the evening of Saint Paddy’s, just happened we was in a bar near the museum after stumbling out of Southie at some point in the revelries.

“This is the last beer,” Jim said. “My wife’s already gonna kill me.”

Heading out the door, we saw a bunch of police jackets and hats hanging by the door so we each put one on, just joking around, even found handcuffs—no guns, not that we woulda took’em. We walked out as cops. We was a little lost, then turned the corner and there it was: the Isabella Stewart Gardner Museum.

“Let’s mess with these rich pricks,” Jim said.

I wanted my money back for the towing as bad as anyone, but what the hell could we do at one in the morning after Saint Paddy’s? Jim must’ve already thought about this, at least since becoming a cop five minutes earlier. He walked right up to the service door and rang the bell. We told the guard we was cops and he buzzed us in. The rest is history, as they say.

We cuffed both guards and wandered around inside for a bit, still deciding what to do. I woulda been happy finding the cash to pay the towing, but Jim said we might as well grab some art while’s in a art museum. Made sense.

“We need to teach them a valuable lesson: never mess with a man’s vehicle.”

We took our sweet time, grabbing some things we thought looked cool, like the dudes in the boat in a storm cuz we both fished and had our share of rough seas.

After getting what we wanted, Jim pulled his car around. We loaded it all up and vamoosed, then stowed the loot in his garage. We was still drunk when we got home, but we both been a lot drunker on this holiday. Not much of a hangover when I got up later that afternoon but another kind of hangover hit hard when I read the headline in The Boston Globe that evening.

“$200m Gardner Museum art theft” was the headline in the Globe. About shit myself. Jim called me not long after I read it.

“Meet me in my garage,” was all he said.

Even back then, we knowed not to say nothing on the phone.

“It doesn’t look like the cops have any idea who did it,” Jim said first thing when I got there. “They suspect it’s ‘organized crime.’ Got a laugh out of that.”

I suggested we dump everything, let someone find it.

“Screw that.” Jim said, vetoing my suggestion. “You forgetting they towed the van?”

I didn’t, so we decided just to sit on the paintings, sell them when the heat died down and everyone forgot about it.

“That couldn’t take too long, right?”

“A few months,” I said. “But I’m putting the boat painting up in my bedroom, gift for the wife, least till we sell it.”

“Then I got dibs on the Vermeer, The Concert, like the paper calls it.”

We measured both and went out the next day and bought frames. We shoulda waited, but cops probably wasn’t looking for someone stupid enough to buy frames for $200 million in stolen paintings the next day, right? Hiding in plain sight, or reverse psychology, or whatever you call it.

We got fourteen artworks in Jim’s garage with the other two hanging in our bedrooms. She can’t tell no one, but the wife likes the idea of a Rembrandt in her house. Consider the towing charge as rent on the paintings.

Twenty-six years later, the heat ain’t died down none, and we got a $5m reward on our heads.

Still, heist of the century? My ass.

 Afterword: The Isabella Stewart Gardner Museum art theft occurred on March 18, 1990, when two men disguised as police officers entered the museum, subdued the security guards, and stole artworks valued at hundreds of millions of dollars. The stolen works included pieces by artists such as Rembrandt van Rijn, Johannes Vermeer, and Edgar Degas, making it the largest unsolved art theft in history by estimated value. Despite three and a half decades of investigation and a substantial reward, none of the stolen pieces have been recovered.