Do we really need to always be talking about race and gender? Is there nothing else? This is from the NYT article I linked:
The nominations were a mix of welcome surprises and perplexing snubs, as our awards expert Kyle Buchanan noted: “Everything Everywhere All at Once” led the tally with actors of Asian descent making a particularly good showing. Yet Viola Davis and other Black stars of well-known films were completely shut out of the running for best actress, and Andrea Riseborough unexpectedly succeeded with an out-of-the-box campaign for her little-seen “To Leslie.” (How little seen? As of this writing its box office take stands at $27,322.)
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Our co-chief critic Manohla Dargis is more optimistic about Hollywood*, specifically about the status of women in the industry. Citing a raft of female-driven movies in the last year, she writes, “Despite continuing biases and barriers, women are now directing movies with a variety of budgets, topics and casts. It’s made my job as a critic more exciting.” |
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Do they hand out race and ethnic scorecards so these writers can keep track? It's not like these awards were ever based on merit (judging art like horse races if just too stupid to ponder in the first place). Why don't we just give everyone an award like we do for children's sporting activities these days?
Rich fuckers giving themselves prizes for being rich and famous. That should set the world right. If the Academy Awards are so racist and sexist, then let’s do away with them altogether. I’m OK with that because I don’t care about prizes for rich creeps, not even a little
*This is what Manhole writes:
“I find it an agony to compile a Top 10 list. There are just too many good and great films, too many titles that I want to celebrate.”
Wow! Really? Great films? I thought that almost everything was pure crap, including most of those being celebrated by the Academy.
